Monday, January 27, 2020

Postlude: Film by Jil Guyon, Score by Chris Becker


Postlude
Created and performed by Jil Guyon
Original Score: Chris Becker
Guitar: Dan Sumner
Mastered by Doug Henderson Cinematography: Valerie Barnes

Friday, January 10, 2020

New Digital EP from Chris Becker and Misha Penton: Mallarmé

Chris Becker and Misha Penton (Photo by Dave Nickerson)

I have to thank soprano and multi-disciplinary artist Misha Penton for introducing me to the experimental writing of the 19th century French poet Stéphane Mallarmé. After hearing an ominous, ambient track I created out of a recording I made of toads and insects croaking and chattering away after a Houston rainstorm, Misha offered to record herself improvising over the piece, and chose for the text an excerpt from Mallarmé’s “Le Phénomène futur.” Not only did Misha record two wildly different and dramatic vocal performances, she also recited Mallarmé’s verse in French. We continued our collaration with two more poems by Mallarmé, "Summer Sadness" and "Renewal," and I invited a few musician friends from across the U.S. to contribute instrumental performances to complement our readings. 

This album was conceived of as a suite, so ideally, the listener will take time to listen to each track in order, just as if she or he were reading a story or poem, or watching a short film.

Listen to and download Mallarm√© on Bandcamp

Music recorded by Chris Becker except:
Misha’s Vocals (Summer Sadness, The Future Phenomenon, Renewal) recorded by Misha Penton
Electric Guitar (Summer Sadness) recorded by Lynn Wright
Classical Guitar (Renewal) recorded by Dan Sumner
Percussion (Renewal) recorded by Breeze Smith and Tony Green

Edited, Mixed, and Produced by Chris Becker 

Mastered by Doug Henderson

Saturday, December 14, 2019

Widow's Walk and Vigil screenings in 2020.

Two videos I scored for multidisciplinary artist Jil Guyon will screen next year. Our most recent collaboration, Widow's Walk has been selected for the Rome Prisma Film Awards and will be screened next month, January 2020, in Italy. And an earlier collaboration of ours titled Vigil will screen at Traverse Video in Toulouse, France in March 2020.


Widow's Walk (Trailer) from Jil Guyon on Vimeo.

Widow's Walk, 2019
Created and performed by Jil Guyon
Original Score: Chris Becker
Cinematography: Valerie Barnes
Voiceovers: Chris Becker and Lainie Diamond
Singer: Lainie Diamond
Audio master: Douglas Henderson

Shot in southern Iceland, Widow’s Walk portrays the Widow character as fated with the Sisyphean task of walking up and down a desolate hill in an effort to conquer her grief. Her existential dilemma is further destabilized by troubling memories and a precarious future.

Saturday, November 16, 2019

Ambient Avenues Concert Series at the Silos on Sawyer, November 16, 2019


Sculpture Month Houston at the Silos on Sawyer is up through November 30, 2019, featuring some of the most innovative multi-dimensional site specific work out there. I will be performing a 30-minute set of orignal music on Saturday, Novemver 16th at 3 p.m. I'm imagining the music as a soundtrack for a walk through the Silos. My understanding is I'll be set up somewhere inside, hopefully pushing the air a bit. Live programming curated by artists Felipe and Meghan Lopez continues throughout the month, you can check out the full schedule here >> http://sculpturemonthhouston.org/events-2019

I wrote about Felipe and Meghan for the magazine Houston CityBook. That article is online here.


Saturday, October 5, 2019

Music for 150 Carpenters at the Berman Museum, October 26, 2019


I am honored to be a part of this upcoming performance of composer, sound artist, and sculptor Douglas Henderson's epic Music for 150 Carpenters at the Berman Museum of Art, October 26, 2019. I will be assisting Doug in teaching the piece to a team of "lead carpenters," who will then conduct their crews in two performances of the work. It should be a lot of fun.

I interviewed Doug back in 2009 ahead of the Brooklyn premiere of Music for 100 Carpenters, and he provided plenty of insight into his compositional and recording processes. You can check out the interview here.

From the Ursius College website:

In celebration of Ursinus College’s 150th anniversary, the Berman Museum of Art’s 30th anniversary, and the many individuals who have collaborated in the building of our remarkable institution, the museum will present a special performance piece by Douglas Henderson titled Music for 150 Carpenters.

Based on Henderson’s Music for 100 Carpenters, first conducted in 2009 in Brooklyn, this site-specific, multimedia piece will include a 30-minute live performance, where the audience will sit in the middle of the Main Gallery. Surrounding them along the perimeter will be 150 carpenters, consisting of not only professional, regional carpenters, but local artists, museum professionals, Ursinus faculty and staff, and of course, students. Henderson will compose an immersive sound performance featuring 150 workers, 150 sawhorses, 150 hammers, and some 10,000 nails, working in unison to create a unique score. Under the guidance of job supervisors, the sounds of construction will become waves of tonal murmur throughout the gallery. Tool belts, sweat, and lunchboxes will also be a part of the score that celebrates the college’s anniversaries with pomp, while acknowledging the diverse sources of physical and intellectual labor that are at the core of every academic and art institution.

Sunday, September 29, 2019

Full score for Who You Once Were now available on Bandcamp


This is the full score for Who You Once Were, my collaboration with visual artist Lillian Warren and dancer Annie Arnoult. Who You Once Were was performed August 23 and 24, 2019 at Aurora Picture Show, Houston, TX.

“The idea for this piece came from the personal experience of my mother’s gradual and intermittent memory loss, and my emotional reactions as our relationship changes. Annie, Chris, and I worked as a team to draw on our collective experience of how memories are embedded in objects, splintered and fractured by time, triggered by sounds, and lived through the body.” - Lillian Warren

All music composed, recorded and mixed by Chris Becker. Beckeresque Music (ASCAP)

Talking drum patterns in "Chairs" created and recorded by Joseph Benzola. Guitar solo in "Writing Music" created and recorded by Dan Sumner.

Rehearsal and performance photos by Lillian Warren.

Saturday, September 14, 2019

Who You Once Were Video



This is a four-minute composite of just a few segments from Who You Once Were, a multimedia collaboration between Lillian Warren (video and project direction), Annie Arnoult (movement), and Chris Becker (original score). Performed at Aurora Picture Show on August 23 and 24, 2019. Both performances were sold out, and the audience response to the work was incredible.