Bio / List of Works

Composer Chris Becker creates chamber, electronic, and improvised music for dance, film, and mixed media installations, and has received grants from the Louisiana Division of the Arts, Meet the Composer, and the American Music Center (now New Music USA). He composed the score for choreographer Rachel Cohen's evening-length work If The Shoe Fits, named one of the best dance performances of 2005 by The New York Times dance critic John Rockwell. Becker’s collaboration with painter and video artist Lillian Warren and dancer Annie Arnoult Who You Once Were performed to sold-out audiences in August 2019 at Aurora Picture Show, Houston, TX. Becker has also composed music for choreographers Sasha Soreff (The Other Shoe, Ailey Citigroup Theater, 2009), Adrian Jevicki (La Spectra, The Tank, 2009), Rebecca French (The Rite of Summer, Cullen Theater, Wortham Center, 2015), and Blakeley White-McGuire (Devotion, Bell Works, 2021). In 2022, Axelrod Contemporary Ballet Theater commissioned Becker to compose music for The Lost Princess of Oz, a ballet based on the stories of L. Frank Baum, which ran for eight performances at The Pollak Theater at Monmouth University.

Becker has scored several award-winning films for multimedia artist Jil Guyon, including Widow’s End, which screened at the 2022 Dance On Camera Festival at Lincoln Center. Widow’s End will screen at the Cine Paris Film Festival in Spring, 2023, and another recent collaboration, Rouyn Noranda, will screen at the Performance Mix Festival in New York City, in June 2023.  

Current projects include creating sound and composing a piece for unaccompanied cello for A Gift From The Bower, a sculpture exhibition conceived by nationally-renowned artist James Surls to be installed in a series of natural galleries formed by small clearings in the woods of Southeast Texas. A Gift From The Bower was premiered by Houston cellist Patrick Moore at the exhibit's opening at Splendora Gardens on April 22, 2023. 

Becker writes about visual art, music, dance, and theater for several print and online publications, including Houston CityBook and the Houston Chronicle, and is the author of the critically acclaimed book Freedom of Expression: Interviews with Women in Jazz, a collection of in-depth conversations with 37 female jazz musicians. 

EDUCATION

1987-1990    
Music Theory and Composition, Capital University Conservatory of Music

1990-Present
Private Studies
  • Douglas Henderson, New York City, New York, Recording and Mixing
  • Stan Smith, Columbus, OH, Jazz Composition
  • Tom Myron, Boston, MA, Arranging and Orchestration 
  • Dr. Rocky Reuter, Columbus, OH, Composition
SELECTED PUBLIC PERFORMANCES, SCREENINGS, AND INSTALLATIONS

2022
  • The Lost Princess of Oz, score by Becker for banjo, violin, cello, piano, and two percussionists, choreography by Gabriel Chajnik, performed by Axelrod Contemporary Ballet, The Pollak Theater, Monmouth University, West Long Branch, New Jersey
2021
  • Devotion, score for string quartet by Chris Becker, choreography by Blakeley White-McGuire,  performed by Axelrod Contemporary Ballet, Bell Works, Newark, New Jersey
2020
  • Widow’s End, video by Jil Guyon, score by Chris Becker, Proceso de Error 2020 film festival, Valparaíso, Chile
  • Heat Wave Hallucination, video by Jil Guyon, score by Chris Becker, Extremely Shorts Film Festival, Aurora Picture Show, Houston, TX
  • Vigil, video by Jil Guyon, score by Chris Becker, Traverse Video Festival, Toulouse, France
2019
  • Ambient Avenues Concert Series at the Silos, solo laptop performance, The Silos on Sawyer, Houston, TX
  • Who You Once Were, live performance collaboration with visual artist Lillian Warren and dancer Annie Arnoult, Aurora Picture Show, Houston, TX
2018
  • WW, video by Jil Guyon, score by Chris Becker, Psychedelic Film and Video Festival, The Museum of Moving Image, New York City, New York
  • Vigil, video by Jil Guyon, score by Chris Becker, Art 3’s Second Bi-annual Cube Art Project, presented as a 750 sq. foot digital public display with sound, Lincoln, Nebraska
2017
  • Recidivistas, score by Chris Becker, choreography by Rachel Cohen, performed by 30 dancers, Socrates Park, New York City, New York
2009
  • Delta, for classical guitar. Commissioned by Dan Sumner and the Bloomington Classical Guitar Society. Additional funding for the score came from a grant from the American Music Center. Premiered January 10, 2009, at the John Waldron Arts Center, Bloomington, Indiana.

INVITED TALKS & GUEST LECTURES

2022 “Basquiat and Burroughs in the Therapy Room,” The Jung Center of Houston, Houston, TX
2020 “Writing About Art,” Houston Baptist University, Houston, TX
2019 Pre-concert interview with Houston-born pianist and festival headliner Helen Sung, Trinity                    Jazz Festival, Houston, TX. 
2018 “Writing About Art,” Houston Baptist University, Houston, TX
2018 “Music Therapy and the Avant-Garde,” The Jung Center of Houston, Houston, TX
2018 “A Brief HERstory of Jazz: The Singers,” The Jung Center of Houston, Houston, TX
2017 Panel discussion with artist David McGee in conjunction with his exhibits Urban Dread and                    The Complications of Water, Texas Gallery, Houston, TX
2017 “A Brief HERstory of Jazz: Lillian Hardin, Mary Lou Williams, and Alice Coltrane,” The                        Jung Center of Houston, Houston, TX

RECORDINGS




PUBLICATIONS

#9 with David McGee: The Eastman Effect, podcast, co-written with David McGee, an in-depth look at the music of composer Julius Eastman, produced for Glasstire, 2018

Punk Ethnography: Artists & Scholars Listen to Sublime Frequencies, Contributor, Wesleyan
University Press, 2016

Freedom of Expression: Interviews with Women in Jazz, Author, Beckeresque Press, 2015